Saurabh Garg
Parth Planetary Research, Delhi, India
Corresponding Author: Saurabh Garg, +91-9718327277, moneymaatrix27@gmail.com
Raga as Healing Frequencies (Nāda Chikitsā)
Each Raga carries a specific vibrational geometry, affecting:
- Body organs
- Mind & will power
- Directional energies (Vāstu)
- Ancestral (Pitṛ) karmas
- Planetary balance
Core Rāga → Easily Available Song Mapping
(Astro-purpose based, not musicology based)
Raga Dipak (Agni — Dangerous)
Instead use controlled Agni rāga substitutes
Safe substitute: Rāga Bhairav / Bhairavi
Songs / Bhajans:
- “Mohe Bhool Gaye Sanwariya” (Bhairavi — Mughal-e-Azam)
- “Om Jai Jagdish Hare” (slow bhajan versions)
Use for:
Low will power, weak Sun (not for anger issues)
Raga Megh / Malhar (Life Revival, Cooling)
Astro: Moon–Venus | Rahu shock relief
Film / Album Songs:
- “Garjat Barsat Sawan Aayo Re” (traditional)
- “Bole Re Papihara” (Guddi)
- “Aayo Re Sakhi Megh Malhar” (classical-based)
Bhajan:
- “Shyam Teri Bansi Pukare” (Malhar influence)
Use for:
Rahu anxiety, heat disorders, panic, emotional burn-out
Raga Malkuns (Pitṛ, SW, Deep Karma)
Astro: Saturn–Ketu | Ancestral healing
Songs:
- “Man Tarpat Hari Darshan Ko Aaj” (Baiju Bawra)
- “Tu Hi Re” (Bombay — slow versions only)
Bhajan:
- “Jai Jai Ram Krishna Hari” (slow, deep)
Use for:
Pitṛ doṣa, chronic illness, fear, SW Vāstu issues
Raga Sarang (Rahu Relief, Nervous System)
Astro: Jupiter + Rahu | Midday rāga
Songs:
- “Sawan Mein Lag Gayi Aag” (controlled versions)
- “Kaise Din Beete, Kaise Beeti Ratiyan”
Bhajan:
- “Jo Tum Todo Piya” (Meera bhajan versions)
Use for:
Kaal Sarp stress, sudden shocks, confusion
Raga Bhairav (Will Power, Discipline)
Astro: Sun | Dawn
Songs:
- “Mohe Panghat Pe” (Mughal-e-Azam)
- “Albela Sajan Aayo Re” (early Bhairav tone)
Bhajan:
- “Raghupati Raghav Raja Ram” (slow)
Use for:
Weak Sun, authority issues, lack of routine
Raga Yaman / Kalyan (Mental Peace, Guru Grace)
Astro: Moon + Jupiter | Evening
Songs:
- “Lag Ja Gale” (Yaman base)
- “Ajeeb Dastan Hai Yeh”
Bhajan:
- “Guru Brahma Guru Vishnu”
Use for:
Anxiety, relationship healing, Jupiter weakness
Raga Shree (Wealth with Dharma)
Astro: Jupiter | Sandhyā
Songs:
- “Ae Malik Tere Bande Hum”
- “Jyoti Kalash Chhalke”
Bhajan:
- “Shree Ram Chandra Kripalu Bhajman”
Use for:
Career blocks, धन-स्थिरता, Guru support
Raga Darbari Kanada (Saturn, Depression)
Astro: Saturn | Late night
Songs:
- “Toh Se Naina Laage”
- “Dil Cheez Kya Hai” (slow)
Bhajan:
- “Itni Shakti Hame Dena Data”
Use for:
Depression, Sade-sati, emotional heaviness
Raga Todi / Bilaskhani Todi (Release, Gandānta)
Astro: Jupiter–Ketu | Early morning
Songs:
- “Jalte Hain Jiske Liye”
- “Waqt Ne Kiya Kya Haseen Sitam”
Bhajan:
- “Vaishnav Jan To” (slow, serious)
Use for:
Grief, repentance, karmic release
Raga Bhairav
Graha: Sun
Time: Dawn (4:30–6:30 AM)
Direction: East
Purpose:
- Will power
- Authority
- Blood, bones
- Fear removal
Raga Yaman
Graha: Moon + Venus
Time: Early evening
Direction: North-East
Purpose:
- Emotional balance
- Mind purification
- Relationship harmony
Raga Shree
Graha: Jupiter
Time: Sunset (Sandhyā)
Direction: North-East
Purpose:
- Guru grace
- Wealth with dharma
- Rahu illusion relief
Raga Sarang (All forms)
Graha: Jupiter + Rahu
Time: Midday
Direction: North-West
Purpose:
- Rahu shock relief
- Kaal Sarp balancing
- Nervous system reset
Raga Malkauns
Graha: Saturn + Ketu
Time: Midnight
Direction: South-West
Purpose:
- Pitṛ śānti
- Ancestral karma
- Chronic disease
Raga Todi
Graha: Jupiter (Tapas form)
Time: Morning (7–10 AM)
Direction: East-North-East
Purpose:
- Liver
- Deep samskāra cleansing
- Gandānta healing
Raga Darbari Kanada
Graha: Saturn
Time: Late night
Direction: West
Purpose:
- Depression
- Fear
- Endurance during Sade-sati
Raga Khamaj
Graha: Venus
Time: Night early
Direction: South-East
Purpose:
- Relationships
- Reproductive health
- Emotional softness
Raga Hindol
Graha: Mercury
Time: Spring mornings
Direction: North
Purpose:
- Speech
- Memory
- Learning disorders
How to Use This in Current Age (Very Important)
Ancient people used Raga for events
Today we must use them for Dasa & Transit
Example:
- Rahu Mahadasa → Sarang (day)
- Guru weak → Shree (Sandhya)
- Pitṛ doṣa → Mālkauṇs (Amavasya night)
- Gandānta → Todi (morning fasting state)
1️⃣ Why Raga Sarang was used for Snake-bite (Ancient View)
In ancient texts and oral traditions, Sārang was used not to neutralize venom chemically, but to:
- Slow down prāṇa collapse
- Stabilize vāta–pitta surge
- Calm the fear shock (bhaya)
- Harmonize water–air imbalance
Musical Nature of Sarang:
- Bright, flowing
- Dominant Re–Pa–Ni movement
- Generates cooling yet alert consciousness
Snake venom creates:
- Sudden pitta explosion
- Rapid nervous system breakdown
- Fear-induced prāṇa withdrawal
Sarang anchors prāṇa and restores rhythm.
2️⃣ Snake in Astrology ≠ Just Physical Snake
In Jyotiṣa, snake = Rahu–Ketu axis, not a reptile.
| Snake Aspect | Astrological Meaning |
|---|---|
| Venom | Toxic karma, sudden shock |
| Coil | Kaal Sarp Yoga |
| Bite | Sudden Rahu activation |
| Paralysis | Gandānta |
| Hypnosis | Rahu illusion |
Thus, Rāga Sārang was actually a Rahu-pacifying Nāda.
3️⃣ Raga Sarang & Rahu–Naga Tattva
Astrological Mapping:
- Graha: Rahu
- Tatva: Water + Air
- Chakra: Anāhata → Viśuddha
- Direction: North-West (Vāyavya)
- Time: Midday / Summer afternoons
Rahu acts strongest when:
- Mind loses grounding
- Nervous system goes into shock
- Illusion > reality
Sarang cuts Rahu’s chaos by rhythmic clarity.
4️⃣ Connection with Kaal Sarp Yoga
Kaal Sarp is:
- Psychological paralysis
- Sudden reversals
- Fear without visible reason
- Feeling “bitten” by destiny
Ancient healers used Sārang to:
- Break Rahu’s grip on prāṇa
- Restore flow between nodes
- Reduce sudden karmic pressure
Snake-bite is a physical symbol of Kaal Sarp activation.
5️⃣ Gandanta Nakṣatra & Sarang
Especially relevant for:
- Āśleṣā (Takṣaka Nāga)
- Jyeṣṭhā–Mūla
- Revatī–Aśvinī
Āśleṣā problems:
- Emotional poisoning
- Manipulation
- Sudden loss of strength
- Ancestral Nāga karma
Sārang helps because:
- It uncoils emotional venom
- Clears psycho-somatic toxins
- Activates heart-throat clarity
6️⃣ Ancient vs Current Age Interpretation
🕉️ Ancient Purpose:
- Immediate prāṇa stabilization
- Shock reversal
- Anti-venom by sound
🪐 Current Astrological Use:
- Rahu Mahādaśā anxiety
- Kaal Sarp mental block
- Gandānta trauma
- Sudden health collapse without diagnosis
- Psychosomatic fear disorders
Thus:
Today’s “snake-bite” is Rahu-triggered life shock, not just venom.
7️⃣ Correct Modern Application of Raga Sarang
For Rahu / Kaal Sarp / Gandānta:
- Time: 11:30 AM — 2:30 PM
- Direction: Face North-West
- Tempo: Vilambit ālāp
- Tanpura drone mandatory
- Avoid night listening (may increase Rahu illusion)
Combine with:
- Nāga mantra (mentally)
- Silver vessel water nearby
- No incense (Rahu hates smoke)
8️⃣ Raga Mala as Adi Mata (Mother Principle)
In ancient Rāga–Paramparā:
- Raga Mala is not just a list
- She is Śakti-matrix from which Rāga manifest
- The 60 (or 64) Rāga are offspring with specific Graha + Tatva roles
So when you say:
“Raga Mala is a mother”
✔️ This is correct in Nāda-Tantra terms.
Raga 51 — “Son of Raga Mala” & Gurdwara Connection
Traditionally, later Rāga (around 49–54 range in old lists) are Guru-activated Raga, used for:
- Teaching
- Preaching
- Śabda-bāṇī
- Collective healing
Why Guru Bani prefers Raga Shree / Sarang family
Because:
- Jupiter rules Śabda-jñāna
- Gurudwara = Guru-tattva sthāna
- Śabda must cut Rahu illusion, not increase it
You are also right that Sārang family operates as:
Rahu-shanti through Guru vibration
True Meaning of Raga Dipak
Dipak lights the lamp outside but dims the light of the soul
Malhar revives the light of the soul but cools the fire outside
1️⃣ Graha Mapping of Raga Dipak
| Element | Astro Mapping |
|---|---|
| Graha | Sun + Mars |
| Tatva | Fire (Agni) |
| Chakra | Maṇipūra |
| Direction | South-East (Agneya) |
| Time | Peak noon / extreme heat |
| Effect | Agni explosion |
2️⃣ Why Tansen Almost Died (Astro Explanation)
When Tansen sang Dipak:
- Sun–Mars Agni rose uncontrollably
- Prāṇa moved upward violently
- Heart & nervous system overheated
- Equivalent to Agni Yogāntaka
Astrologically:
This mirrors Sun–Mars affliction, like
- 6th/8th house Sun–Mars
- Agni Gandānta
- Severe Pitta Mahādaśā
3️⃣ Why Megh / Malhar Saved Him
Rāga Megh–Malhār Mapping
| Factor | Astro Meaning |
|---|---|
| Graha | Moon + Venus |
| Tatva | Water |
| Direction | North-East |
| Time | Monsoon / evening |
| Chakra | Anāhata |
So what happened?
Dīpak = Agni overload
Malhār = Jala counter-force
This is perfect graha cancellation:
Sun–Mars pacified by Moon–Venus
4️⃣ Why His Daughters Sang (Very Important)
In Nāda-Tantra:
- Female voice = lunar dominance
- Represents cooling śakti
- Maternal prāṇa flow
So:
- Male sang Agni
- Female sang Jala
Balanced through Śakti intervention.
5️⃣ Deep Astro Interpretation (Rare Insight)
Tansen’s condition after Dipak =
Temporary Mrityu-tulya avasthā
Astrologically similar to:
- Sūrya–Maṅgala yuti
- Kālātīta Agni Yoga
- Pitta prāṇa collapse
- Ketu separating prāṇa from body
Malhār brought:
- Prāṇa descent
- Heart cooling
- Life re-entry
राग, दीप और आत्मा की रोशनी
- कहते हैं, अकबर के दरबार में एक रात अजीब-सी ख़ामोशी थी।
दीवान-ए-ख़ास में दीये बुझे हुए थे, और सबकी नज़रें एक ही व्यक्ति पर टिकी थीं — तानसेन।
- अकबर ने कहा,
“तानसेन, आज राग दीपक सुनाओ।”
- दरबार जानता था —
यह कोई साधारण राग नहीं है।
यह राग बाहर आग जलाता है…
और भीतर की आग को भी जगा देता है।
- तानसेन ने तान छेड़ी।
- जैसे ही स्वर ऊँचे उठे —
दीये अपने-आप जल उठे।
दरबार रोशनी से भर गया।
- अकबर प्रसन्न थे,
लेकिन किसी ने देखा —
तानसेन का चेहरा पसीने से भीग रहा था।
साँस तेज़ थी, आँखों में जलन थी।
- दीपक ने महल को रोशन किया था…
लेकिन तानसेन के भीतर की रोशनी जलने लगी थी।
- वह अंदर से जल रहे थे।
जब बेटियों ने बारिश गाई
- तानसेन को तत्काल उनके कक्ष में ले जाया गया।
शरीर तप रहा था, प्राण डगमगा रहे थे।
- तभी उनकी दोनों बेटियाँ आईं।
उन्होंने कोई दवा नहीं दी,
कोई मंत्र नहीं पढ़ा।
- बस गाया।
- राग मेघ मल्हार।
- स्वर जैसे बदल गए।
आग शांत होने लगी।
साँसें ठहरने लगीं।
- कहते हैं —
उस रात बारिश हुई।
और उसी बारिश के साथ
तानसेन के भीतर की बुझती रोशनी फिर से जल उठी।
- लोग कहते हैं —
“मल्हार ने आग बुझा दी।”
- सच यह है —
मल्हार ने आत्मा की ज्योति को भीतर लौटा दिया।
मृत्यु के बाद भी एक आशीर्वाद
- समय बीता।
एक दिन तानसेन ने देह त्याग दी।
- घर में शोक था।
तानसेन का बेटा — बिलास ख़ान —
अपने पिता के पास बैठा था।
- न कोई रियाज़,
न कोई मंच।
- बस आँसू और पश्चाताप।
- उसी भाव में
उसके कंठ से एक राग निकला —
बिलासखानी तोड़ी।
- यह राग न जीवन के लिए था,
न चमत्कार के लिए।
- यह राग था —
पिता से क्षमा माँगने का।
- कहते हैं,
तानसेन का मृत शरीर हिला…
और उनका हाथ उठा।
- कोई चमत्कार नहीं था।
वह जीवन में लौटना नहीं था।
- वह था —
पिता का आशीर्वाद।
🌺 कहानी का असली अर्थ
- इन कहानियों में
ना दीये सच में जलते हैं,
ना बारिश आदेश से आती है।
- सच यह है —
- जो राग ऊर्जा को बाहर खींचता है, वह जीवन को कम करता है।
जो राग ऊर्जा को भीतर लौटाता है, वही जीवन देता है।
- दीपक बाहर रोशनी करता है,
पर भीतर की लौ जलाता है।
- मल्हार बाहर आग शांत करता है,
पर भीतर आत्मा को जीवित करता है।
- और बिलासखानी तोड़ी —
जीवन नहीं लौटाती,
पर आत्मा को शांति देती है।
Published by Parth Planetary by Saurabh Garg — Researcher and Analyst
